_ was depicted in such lily tints that you simply hated the memory of your history book that said such rude things about her life after the sovereign's death. The historical "penance" that on the stage seemed so effective was, as we know, really unavailing. Dramatic license is a great thing, and it is pardonable when it is used with discrimination.
But made to do duty as a daub, it is unjustifiable. What is the use of going down into history as one thing, if you are to be bobbed up on the stage, after the passage of centuries, as another? To the feminine playwright, the line that separates saints from sinners is an invisible boundary.
As a play, "The Lady Shore" was mere melodrama, of a somewhat incoherent nature.
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As she turned to
Though I longed with
They were headed for
Then he too disappeared
Why if a woman
On his way down
It is not the
It was not the
He habitually wore gold
PLUG IVORY AND PLUG
But none of these
This is an age
We ll box five
Rather he had held
Those things Why my
Was he sent for
But I gabbled lightly
She more than ever
In return for the
Some swarthy dark eyed
Must have a magnificent
The fact is I
These thoughts passed through
Her appearance might have
It was a year
Then with her chin
Sam Chauncey or Lady
For two days a
The race was open
The wind blew her
Ponsonby the expedition to
French please go on
There was one vacant
Whether Mrs Paget was
There is never anything
Deena he said not
I wish I could
No picture of Broadway
A thousand subtle ways
She was not competent
There was to be
With the docility of
I am going to
SONG I gave to
My dear child she
Come back she cried
The express package could
Should you like to
Deena recognized her place
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