She fluttered through Paris in 1793, evidently convinced that it was just as "easy" as New York in 1905. She had a caramel demeanor and ice-cream allurements. She kittened and frivoled through the Reign of Terror with an archness that was commendable, though somewhat misplaced, and she let loose a lay figure labeled _Marie_Antoinette_ that was designed to frame her own accomplishments.
Familiar as we are with the French revolution, used as a stage motive, "The Red Carnation" threw such a new light upon it all, that we were a trifle dumfounded. Miss Tyler gracefully revised it for us, and made it appear as a somewhat gay and frolicsome time. Moreover, it had all the modern improvements.
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The dew still lay
Is it bad luck
That Her Grace of
Deena sat sewing till
He has high ideals
Then she came over
Perhaps you may reflect
Two hours did Dickie
Ponsonby if you think
It was my wedding
Allys looked at him
The Heathflower thing did
And now Anita and
I understand men will
I think the man
The fact that I
London society is made
The study door was
And to that Archie
There is in the
The next thing that
I had not counted
She fluttered through Paris
Why said I with
No masculine playwright could
The slightest swerve at
Was he sent for
It is not necessary
Besides I came for
Every now and then
That you assume that
She turned now and
For the first time
These thoughts passed through
She must never forget
French immediately ordered the
Though the clock pointed
He had a way
I looked away from
So I sat down
To the astonishment of
If you are going
There is never anything
Ponsonby before her flitting
I hoped Oh it
Let s talk instead
Deena was not often
Taylor Two Sorrows Charles
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