More long silences; more significant pauses. He must possess that diamond cross. Why not? He hated the dead woman.
He would steal into the church and rob the body; nay, more, he would hurl insults at it. _Toinette_ has the crucifix. Perhaps it is that; perhaps it is the awakening of some forgotten instinct within her.
The horror of the man's intention convulses her. There is a terrible conflict between the two. It is the very intensity of drama.
The audience, wrought up, holds its breath. Then _Toinette_, by a ruse, escapes from the man, and, rushing from the dwelling, gives an alarm. The bells ring, in wildest chime.
_Michel_ realizes that he is trapped; that the woman has undone him. He goes after her, finds her, brings her back. He wrestles with her, forces her back upon the rude couch, and plunges his knife into her throat.
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