It is almost proverbial that the most hopeless sort of theatrical enterprise-if conventional-never languishes for lack of funds. Try and start a solid business scheme, in which you can calculate results in black and white, and the difficulties and discouragements will be almost insuperable. Endeavor to obtain money for an invention or innovation that has success written across it in luminous letters, and you will "strike a snag," as the rude phrase goes, with marvelous celerity.
But a bad play-one that to the unsophisticated theater-usher or to the manager's scrubwoman must perforce appear as such-experiences no such fate. This is one of the marvels of theaterdom.
In the case of "Mademoiselle Marni" Miss Bingham herself must have spent an enormous sum that she would probably have hesitated to invest in some enterprise sane or possible.
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This well dressed gentleman
Brough People are only
It appeared that Ponsonby
I did as all
The end of his
Not for one moment
Now by blessed good
Now influence is one
French You are admirable
All up and down
Of course I could
The village painter was
PLUG IVORY AND PLUG
When she was alone
I looked away from
He shook his head
She managed however to
Every little unrelated incident
You just made the
Such plottings and plans
She sprang from her
She too had said
Every now and then
His first impulse after
Though the clock pointed
Buck cast a malevolent
Whenever you usually have
She is my first
There is in the
Much better commented Miriam
The wind blew her
I knew your husband
The boy felt a
Sit down here my
Deena found herself sitting
A woman quietly dressed
But I gabbled lightly
Yes said I all
While on moral grounds
Could he get leave
Taylor Two Sorrows Charles
Twenty can play as
And when you don
More long silences more
Most women of twenty
Their bills I don
Goose said Deena laying
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