"
He drew a chair for her beside his own, and began making a rapid synopsis of her story, to which he applied his criticism, showing her what should be accentuated, what only hinted, what descriptions were valuable, what clogged the narrative. She was discouraged but grateful.
"You advise me to destroy it?" she asked.
"I advise you to rewrite it," he answered. Then, after a pause, he asked: "Why do you want to write?"
"For money," she answered.
"But Simeon told me," French remonstrated, "that he had left you the rent of this house as well as part of his salary, and a power of attorney that makes you free of all he possesses.
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